Alexandra Kirwood is a Melbourne based (Naarm) researcher and image-maker, working across film, performance and fashion. Her work examines image consumption, emerging technologies, and digital identity, questioning how these forces shape perception and culture.

She holds a Master of Design from RMIT, where her research Time-Images & Digital Fashion Sculpture investigated the relationship between fashion, moving image, and temporal distortion in digital media. She has collaborated with Grimshaw Architects and OCTA on large-scale site-specific video works, including Floating Bodies (2021) and Significant Surfaces (2022), commissioned by the City of Melbourne and screened in Seoul for Frieze Festival.

Her practice has been supported by artist residencies at Fremantle Arts Centre (2024) and The Lock-Up (2024), as well as a Researcher in Residence position at ACMI X (2022). She is also co-director of HIBALL, a female-led production company specializing in moving images for the digital world, with work presented at leading film festivals and galleries both nationally and internationally.