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<channel>
	<title>Alexandra Kirwood</title>
	<link>https://alexandrakirwood.com</link>
	<description>Alexandra Kirwood</description>
	<pubDate>Mon, 10 Nov 2025 05:53:37 +0000</pubDate>
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		<title>Landing Header copy</title>
				
		<link>https://alexandrakirwood.com/Landing-Header-copy</link>

		<pubDate>Wed, 03 Nov 2021 03:31:59 +0000</pubDate>

		<dc:creator>Alexandra Kirwood</dc:creator>

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		<description>

	
	
	PROJECTS
	INFO


	Alexandra Kirwood is a Melbourne-based artist and image-maker working across expanded photography and moving image. 

Her work explores how technology is reshaping the image; how we see, represent, and construct identity in the digital age. Alongside her independent projects, she collaborates on film and fashion productions under the director duo HIBALL.
	


	
	
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	<item>
		<title>Info</title>
				
		<link>https://alexandrakirwood.com/Info</link>

		<pubDate>Thu, 21 May 2020 04:20:01 +0000</pubDate>

		<dc:creator>Alexandra Kirwood</dc:creator>

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		<description>
	


	

	
	



Alexandra Kirwood is a Melbourne based (Naarm) researcher and image-maker, working across film, performance and fashion. Her work examines image consumption, emerging technologies, and digital identity, questioning how these forces shape perception and culture.

She holds a Master of Design from RMIT, where her research Time-Images &#38;amp; Digital Fashion Sculpture investigated the relationship between fashion, moving image, and temporal distortion in digital media. She has collaborated with Grimshaw Architects and OCTA on large-scale site-specific video works, including Floating Bodies (2021) and Significant Surfaces (2022), commissioned by the City of Melbourne and screened in Seoul for Frieze Festival.

Her practice has been supported by artist residencies at Fremantle Arts Centre (2024) and The Lock-Up (2024), as well as a Researcher in Residence position at ACMI X (2022). She is also co-director of HIBALL, a female-led production company specializing in moving images for the digital world, with work presented at leading film festivals and galleries both nationally and internationally.
contactemail: alexandra-kirwood@outlook.comsocial: @alexandrakirwood
CV











	
	
	

	
	
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		<link>https://alexandrakirwood.com/Footer</link>

		<pubDate>Thu, 21 May 2020 03:31:58 +0000</pubDate>

		<dc:creator>Alexandra Kirwood</dc:creator>

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		<title>projects</title>
				
		<link>https://alexandrakirwood.com/projects</link>

		<pubDate>Thu, 21 May 2020 03:31:57 +0000</pubDate>

		<dc:creator>Alexandra Kirwood</dc:creator>

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		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Composition for Mnemosyne2024&#60;img width="650" height="365" width_o="650" height_o="365" data-src="https://freight.cargo.site/t/original/i/aa84dba9ab8fe7cdffc1e19b396b5dbd6389c623fbf733578402858f490f1db0/COM_UPDATE_22.jpg" data-mid="238737143" border="0"  src="https://freight.cargo.site/w/650/i/aa84dba9ab8fe7cdffc1e19b396b5dbd6389c623fbf733578402858f490f1db0/COM_UPDATE_22.jpg" /&#62; /Model-as-Self 2024&#60;img width="800" height="694" width_o="800" height_o="694" data-src="https://freight.cargo.site/t/original/i/3b9c2a4db4b724ddb846570534b38bd1d23f5224cfba4e9280e22d5feedb7ad2/model-as-self_AlexandraKirwood1.jpg" data-mid="238737177" border="0"  src="https://freight.cargo.site/w/800/i/3b9c2a4db4b724ddb846570534b38bd1d23f5224cfba4e9280e22d5feedb7ad2/model-as-self_AlexandraKirwood1.jpg" /&#62; /Significant Surfaces 2023&#60;img width="1508" height="848" width_o="1508" height_o="848" data-src="https://freight.cargo.site/t/original/i/20898cf531ec76f59e98bb596c62be1669d683b27d2c9130391830fa28a4962e/Sequence-03.00_15_12_13.png" data-mid="238927199" border="0"  src="https://freight.cargo.site/w/1000/i/20898cf531ec76f59e98bb596c62be1669d683b27d2c9130391830fa28a4962e/Sequence-03.00_15_12_13.png" /&#62;&#38;nbsp;/Echoes of the Suburbs2022&#60;img width="1000" height="563" width_o="1000" height_o="563" data-src="https://freight.cargo.site/t/original/i/c1b8500544b5d420015a1385abf499ac42d9f66f9265a0da70ce099698a5e83e/ECHOES.small.png" data-mid="170003518" border="0"  src="https://freight.cargo.site/w/1000/i/c1b8500544b5d420015a1385abf499ac42d9f66f9265a0da70ce099698a5e83e/ECHOES.small.png" /&#62;&#38;nbsp;/Daine, Salt2021&#60;img width="850" height="479" width_o="850" height_o="479" data-src="https://freight.cargo.site/t/original/i/e4ad34f1b238d1560ef1f9cf3f0a6d4cfb97ecdec7be89323941af6a6828a390/salt01.gif" data-mid="121867824" border="0"  src="https://freight.cargo.site/w/850/i/e4ad34f1b238d1560ef1f9cf3f0a6d4cfb97ecdec7be89323941af6a6828a390/salt01.gif" /&#62; 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		<title>composition-for-mnemosyne</title>
				
		<link>https://alexandrakirwood.com/composition-for-mnemosyne</link>

		<pubDate>Sat, 27 Sep 2025 09:02:46 +0000</pubDate>

		<dc:creator>Alexandra Kirwood</dc:creator>

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	HIBALL &#124; COMPOSITION FOR MNEMSOYNE
PROJECT: Two Channel Video Work
DATAMINDS WEBSITEDATAMINDS AT THE LOCK-UP,&#38;nbsp;

READ THE SHOW REVIEW HERE ON MEMO



	



‘Composition for Mnemosyne' consists of a two-channel video artwork accompanied by five wall works, made as part of The Lock-Up’s Artist in Residence program. Reflecting the artist's (Stanton Cornish-Ward and Alexandra Kirwood) own observations on shifting synthetic media as well as the ambient technological infrastructure of Newcastle, the work examines the complex and often uneasy relationship between human experience and increasingly pervasive A.I driven systems, often rendered invisible. Avoiding a didactic approach, the series of works invites viewers to consider their own entanglement with rapidly advancing technology.  

The video work consists of two channels. The first video channel features The Hunter Singers, a Newcastle youth choir directed by Kim Sutherland (OAM) and conducted by Charissa Ferguson, performing an AI-assisted score by long-time collaborator of the artists, Mitchell Mackintosh. Using their voice and hands they emulate synthetic sounds into a choral performance, exploring the way new technology is not only reshaping the visual landscape but becoming an embodied and mediated presence in the human body. 

The second channel juxtaposes the choir's performance with scenes of a group of teenagers navigating Newcastle’s shifting technological landscape. These spaces— decaying WWII gun encampments, abandoned barracks, and the stark presence of a fighter jet museum adjacent to Australia’s primary F-35 training base— reflect cycles of progress intertwined with military influence. The F-35s, equipped with advanced AI-driven systems—a key advantage since the 2010s—train every weekday, looping over Newcastle’s sky. With each step forward, the perception of the environment is reprogrammed, shaped by both the visible physical infrastructure and the invisible networks that redefine these spaces for each generation.

The wall works extend these themes by merging real and synthetic imagery. Three works incorporate UV printed imagery on steel, their surfaces either burnt by homemade explosives, or scratched to leave behind tags, both motifs in the film. Two additional lenticular works, composed entirely of synthetic imagery, depict a hypothetical, disembodied perspective that merges human vision with machine-driven overlays, offering an augmented view from both the ground and the sky


This project was supported by Creative Victoria, The Lock-Up’s Artist in Residence program. Additional residency support from Fremantle Arts Centre. DATA MINDS has been assisted by Creative Australia. 



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	<item>
		<title>significant-surfaces</title>
				
		<link>https://alexandrakirwood.com/significant-surfaces</link>

		<pubDate>Mon, 10 Nov 2025 05:53:37 +0000</pubDate>

		<dc:creator>Alexandra Kirwood</dc:creator>

		<guid isPermaLink="true">https://alexandrakirwood.com/significant-surfaces</guid>

		<description>





	
	
	

	SIGNIFICANT SURFACES (2023)

FILM/ INSTALLATION&#38;nbsp;
Collaboration with Laura Banfield &#38;amp; OCTAPresented at Melbourne Fashion FestivalSupported by City of Melbourne


	



‘An 11-meter-long public video installation located in Carlton, Victoria. The project explores relationships between bodies and images as they are mediated by screens. When comparing the saturation of digital images with other images, such as those of our daydreams, questions arise about the organisation, access, consumption and authorship of images. Every image is, however, caught up in creating our realities and identities–physical and digital. We are bodies, but it seems we are made up of images too. 

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		<title>daine-salt</title>
				
		<link>https://alexandrakirwood.com/daine-salt</link>

		<pubDate>Mon, 18 Oct 2021 06:42:39 +0000</pubDate>

		<dc:creator>Alexandra Kirwood</dc:creator>

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		<description>





	
	
	

	SALT &#124; DAINE FT OLI SYKES
Client Work: Music video for Daine,&#38;nbsp;
Warner Music Australia &#38;nbsp;2021

	


Melbourne Team:
CREATIVE DIRECTION Daine &#38;amp; Hiball
DIRECTOR &#38;amp; PRODUCER Hiball
D.O.P&#38;nbsp; Jesse Gohier-Fleet
STEADICAM OP Glenn Clayton
1ST AC Lachlan Wright
2ND AC Jake Trigg 
GAFFER Han Palmer 
BEST PERSON Joel Green 
PRODUCTION DESIGN Baby Gold Production 
STYLIST Vy Nguyen
STYLIST ASSIST Milda Woods
HMUA Kate McWilliam
PHOTOGRAPHER Katherine Rose RUNNER Kiki Wenzel
BODY DOUBLE Robert Shedden
VFX Drew Moden
VFX ASSIST Bevan Pascoe
COLOURIST Daniel Stonehouse at Crayon
London Team:
PRODUCER Craig Dixon
D.O.P Alex Bender



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	<item>
		<title>hiball-echoes-of-the-suburbs</title>
				
		<link>https://alexandrakirwood.com/hiball-echoes-of-the-suburbs</link>

		<pubDate>Tue, 28 Feb 2023 05:28:20 +0000</pubDate>

		<dc:creator>Alexandra Kirwood</dc:creator>

		<guid isPermaLink="true">https://alexandrakirwood.com/hiball-echoes-of-the-suburbs</guid>

		<description>





	
	
	

	HIBALL &#124; ECHOES OF THE SUBURBS
PROJECT: Fashion Film
Featured on SHOWstudio 2021

	


Inspired by Adolfo Bioy Casares's novella 'The Invention of Morel', 'Echoes of the Suburbs' is a future speculative fashion film exploring the dividing line between the realms of the conscious and unconscious.Set in the near future on the outskirts of suburbia, we follow a woman as she navigates through an empty home, encountering ghost-like presence. As she moves through the empty house, this apparition become more and more entwined with her physical world, an echo of the future merging into her reality.The film showcases works from emerging to mid-career Melbourne based fashion designers, who’s business models focus sustainability and community. The film is shot on a 360 degree camera that has been reframed creating physically impossible movements, and transcoded onto 16mm film. 
Official selection of SHOWstudio Spring Fashion Film Showcase, 2022Official selection of Aesthetica Short Film Festival 2022Official selection of A Shaded View on Fashion Film 15 2022 Official selection of Melbourne Fashion Film Festival 2022

DIRECTED &#38;amp; EDITED Hiball&#38;nbsp;TALENT ĀN JÍ &#38;amp; Meg Doyle AGENCY Stone Street Agency STYLIST Katherine Rose HMUA - Zoe Jane Crawford PRODUCTION DESIGN Tiffany Dias &#38;amp; Kiki Wenzel PRODUCTION ASSISTANT&#38;nbsp; George Willmott SCORE Mitchell Mackintosh DESIGNERS Crochet Bae, Pure Obsession, Liam Ramirez, Emily Watson, Chantelle Lucy
Special thank you to Jun &#38;amp; Color Lab 



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</description>
		
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	<item>
		<title>model-as-self</title>
				
		<link>https://alexandrakirwood.com/model-as-self</link>

		<pubDate>Sat, 27 Sep 2025 16:22:49 +0000</pubDate>

		<dc:creator>Alexandra Kirwood</dc:creator>

		<guid isPermaLink="true">https://alexandrakirwood.com/model-as-self</guid>

		<description>

  
  




  
    
      MODEL-AS-SELF
      PROJECT: Experimental Film
    
  
  
    
      
        As the boundary between the physical and digital dissolves, reality and its virtual counterparts become increasingly intertwined. model-as-self explores the intersection of human form, digital representation, and machinic perception. This video work examines how computational vision reconstructs bodies and spaces, not as fixed entities, but as mutable datasets.
        
        Built from 3D scans and digitally generated environments, the work renders both human and architectural forms as point clouds; dispersed, unstable, continuously shifting. As the camera moves through three evolving spaces, fragments of bodies and structures merge, dissolve, and reconfigure. Classical imagery, once bound to history, becomes a floating dataset, mapped onto architectural surfaces.
      
      
        Director: Alexandra Kirwood
        Key Cast: Bianca Schragger
        Production Design: Victoria Punturere
        Production Design Assist: Samuel Dietrich
        Scenographer: George Willmott
        Score: Planète
      
    
  




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	<item>
		<title>allday-door</title>
				
		<link>https://alexandrakirwood.com/allday-door</link>

		<pubDate>Mon, 18 Oct 2021 06:35:17 +0000</pubDate>

		<dc:creator>Alexandra Kirwood</dc:creator>

		<guid isPermaLink="true">https://alexandrakirwood.com/allday-door</guid>

		<description>
	
	

	
	









	DOOR &#124;&#38;nbsp;
ALLDAY

Client Work: Music video for Allday &#38;nbsp;2021

	
CREDITS:DIRECTOR &#38;amp; PRODUCER Hiball TALENT: Allday, Memphis LK, Jackson, McRae DOP Jesse Gohier-FleetSTEADICAM OP Glenn Clayton 1ST ASSISTANT CAMERA Karina Davie 2ND ASSISTANT CAMERA Anothony Taranto HMUA Zoe Jane Crawford RUNNER George Willmott COLOURIST Daniel Witt
The last in a triology of music videos for Allday. All shot on Kodak 16mm film.





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